Panthere de Cartier Ring

I have always been a sucker for beautiful, iconic and classic jewelry craftsmanship, as well as new and eye-catching creations, yet it seems that the two are rarely synergystically executed in products that bear the characteristics of both. Leave it to the legendary house of Cartier to blend the two into one divine and iconic piece. Bearing the classic "Panthere" form that has become synonymous with the design house, Cartier has crafted a ring as awe-inspiring and regal as the namesake feline. Drawing from a ring design first introduced by Cartier back in 1914, this ring combines strong angular lines, coupled with the addition of peridot and expertly applied enamel details, and has recently garnered a renewed attention since being featuring in Vogue in 2005, and gracing the delicate fingers of Kristen Stewart for a Vanity Fair shoot. The “feline motif is a tribute to devastating seduction, mysterious beauty and untamed character” states the company, adding to the already enticing aura of the piece, and giving even more reasons for the woman with an extra $20,300 burning a hole in her Herrera pockets to pick one up on her next trip down Fifth.

Urban Battlefield - Combat Inspired Footwear With an Urban Twist

With the city heating up, and the slow (and wet) progression into the summer months now upon us, one of my favorite recent trends of the season is making it's mark on the fashion battleground, that being combat inspired boots with shorts. This trend has been seen pacing the catwalks of Givenchy, Rick Owens, Damir Doma, Kris Van Assche, Balmain, Maison Martin Margiela, Ann Demeulemeester, and Dior Homme, yet remains fresh and current due to the creative interpretations offered by each design house. Whether offered in military form (Balmain), refined and urban form (Demeulemeester), avant garde form (Doma), or classic chic with a twist (Givenchy), these boots can be dressed up or down, and paired with everything from a pair of Lanvin shorts, Oak jersey cutoffs, black skinny jeans, or even one of Tisci's kilts, a la Marc Jacobs. I have included some of my favorites, yet with so many to new options introduced this past season as well as being introduced in the upcoming seasons, it will truly be a battle to pick just one (or three).

Left to Right

Ann Demeulemeester $816.00 - Givenchy $442.00 - Damir Doma $860.00 - Balmain $1290.00 - Maison Martin Margiela $601.00

-Stephen Fisher-

All shoes featured can be found at www.LUISAVIAROMA.com

(Limited sizes available)

Moto à la Mode

Italian hand-stitched leather, diamond quilting, subtle sculpting, and a stacked heel. These are not style terms usually associated with mainstream motorcycle accessories, yet Ralph Lauren has managed to do so with the creation of the Caruthers motorcycle boot. The designer best known for his classic and refined lifestyle and clothing empire has now taken it one step further, and created a boot that is equally at home on the open road as well as the city street. With equestrian inspired details such as a sculpted calf, stacked leather heel, hand-finished buckle details, and quilted shin plates, the boot calls to mind the traditional leather shinguards worn by polo players, yet melds these visual and functional qualities into a product geared toward a rider of a different type with the addition of a reinforced leather plate to resist the abrasion of countless stylish upshifts. Priced at $1200, and embodying the refined and rugged spirit of the Ralph Lauren brand, these boots are sure to garner attention both on the road as well as off, and remain a versatile and stylish staple for years to come.

-Stephen Fisher-

My Latest Obsession: Cire Trudon Candles

In the year 1643 in France, the legacy of Cire Trudon candles began when a wax merchant named Trudon began crafting candles on the eve of the reign of Louis XIV. Originally, he created candles for the many churches in Paris, but as word of the quality of candles spread, the merchant was soon asked into the homes of the nobility to create candles for some of the best households of France as well as the Royal Family. Louis XIV, Louis XVI and Marie Antoinette all burned Cire Trudon candles, using the same recipe used today to light the palace of Versailles and ultimately the last sad hours of the lives of the French royal family. After the Revolution, Napoleon turned to Cire Trudon candles for lighting, gifts (he presented his son with a Trudon candle on the night of his birth emblazoned with a gold medallion bearing the silhouette of the Emperor)and for ceremonies, and now I have one burning too!
Cire Trudon is the oldest candle maker and wax manufacturer in the business, and is entrusted with the business of such fashion houses and perfumers as Kenzo, Guerlain, Hermes, and Dior for creation of candles. The company’s beautiful flagship store is on Rue de Seine in Paris, but thankfully available also at Bergdorf Goodman in the City, as well as their newly opened boutique in Nolita.
Several things set Cire Trudon candles apart from the rest. Since Trudon was originally a wax merchant, it’s no surprise that the wax in these candles is of the highest quality. Based on a traditional recipe, it is made with no artificial substances, fillers, or paraffin, but instead uses100% vegetable wax for the purest candle and the cleanest burn. Each Cire Trudon candle also has a pure cotton wick that is woven right in for the longest burn time possible. The company was also green long before environmental consciousness was a trend – all Cire Trudon candles are free of pesticides, allergens,chemicals, are biodegradable, and free of substances listed on the Greenpeace OSPAR list.
The scents of Cire Trudon candles also set the brand apart, offering more traditional and time-tested scents that evoke times past rather than blending into the sea of similarities offered today. My candle is the ‘Ernesto’ fragrance, and inspired by the famous revolutionary of the same name. The dramatic scene evoked in the description of the candle on the company's website describes the bold, yet refined and masculine scent embodied within the wax. “…In a hotel of Havana, sizzling under the stubborn sun of the Revolution, fierce overtones of leather and tobacco meddle with resolution the waxy silence of wood. Breaking out of the cool dimness, sly grimaces emerge, framed by the smoke of cigars and the barrels of guns….”

The perfect companion to my office desk as I study, Ernesto delivers, yet does not overpower, lending to the air just enough fragrance to entice the senses while also calming the spirit.

Cire Trudon candles can be purchased online at www.bergdorfgoodman.com

-Stephen Fisher

Photographic Memory: Damian Loeb

Some artists paint based on the emotion that they feel, turning the cavas into a personal expression and extension of themselves that exhibits their vision of a particular scene or image. This image could be a memory that the artist personally experienced or a created image that the artist chose to express through medias for the viewer to take in, in an attempt to stimulate the psyche and perception of a viewer. For artist Damian Loeb, this style of painting and creating is executed beautifully in images that are as much thought provoking and emotionally stimulating as they are strikingly beautiful and visually arresting.

Born in 1970 in New Haven, CT, the artist has gone on to be a dominant force in the international art world, as well as a solid figure in the Manhattan art scene, presently having his works showcased and distributed through the Acquavella Gallery alongside such masters as Picasso and Bacon. This seemingly meteoric rise to fame in such a short time frame is justified and understood when one takes a look at the created works of the artist, works that e

xhibit a striking blend of realism with that of artistic talent and manipulation of media. Paint is used in ways that bring out photorealistic qualities in the subjects through precise detail work and shadow/tonal gradiation. The resulting work is a painting of striking realistic feel that also evokes memories and emotional responses from the viewer due to the subject matter,angle, or composition of the piece.

The piece to the right entitled "On The Beach" shows a swimmer walking towards the waves of a tropical beach, yet does so from the voyeuristic point view of observation at a distance. The field of vision is broken up by a screen through which the viewer is concealed behind, thus leading the viewer to come up with his own assumptions of the relationship between the two figures and also giving a sense of security and safety.

This same vantage point is shown in the paint

ing entitled "Darling", where a female figure is glimpsed through a crack of a door with only a sliver of the figure exposed. Through this eclipsed and limited exposure of the subject, a very voyeuristic and unsettling feeling is lent to the image, leading one to wonder whether the female is aware of the secondary presence in her space.

The image to the left entitled "Deliverance", possesses an opposite quality. A pair of jean-clad female legs are set against the image of a

Towncar silhouetted against a mountain sky. This image, while suggesting expansiveness and the boundless freedom of the western sky, actually made me feel confined due to both the subjects and the arrangement of the imagery. While the freedom is suggested, an escapism and urgency also seemed to be present in the image, one that I was not sure was beginning or ending due to the presence of the individual outside the car rather than inside. Is this woman leaving something behind, or arriving at her desired destination?

This psychological play also happened for me with the painting entitled "Being There" in which a girl is seen walking across a night backdrop of lights and a city across a body of water. Had she just come across this scene and chosen to watch the hum of the night city from viewpoint in passing, or was she observing from a safe distance a city that had a meaning to her and memories attatched to it?

Throughout time, art has been used as a form of expression that can invoke feelings and emotions as well as be symbolic and expressive. From the cave paintings of Lascaux symbolizing the hunt-filled dreams of the primitive men and women that painted them, to the works of Jackson Pollock expressing a state of emergency and energy, the medium of paint has been harnessed to control or influence the inner workings of man's mind and what drives him. I believe that Loeb's works accomplish this as well, and do so in a way that both inspires deeper thinking and reflection while also providing a visually appealing sight to the art observer looking for a little more than just a pretty picture to hang on the wall.

-Stephen Fisher-

For more information on Damian Loeb or his works, please visit the following sites.

www.DamianLoeb.com

www.AcquaVellaGalleries.com

The Surreal Photography of Andy Houghton

When looking for some cool, edgy photography for my apartment back home I ran into a site online featuring the work of UK based photographer Andy Houghton. Houghton runs his photography business out of Kingston upon Hull in the UK and produces striking and surreal photographs that are not only done for personal use but also have been featured in editorail spreads and magazine pages. His mix of staged subjects, lighting techniques and quirky surreal touches give the photographs a very interesting quality as well as an intriguing sense that draws the viewer in rather than just being a pretty or attractive surface image. Please visit his personal website as well as his Flikr page for additional information and images from this visionary and interesting photographer.

--Stephen Fisher--

http://www.modelmayhem.com/andyhoughton

http://www.flickr.com/photos/andyhoughton

Riccardo Tisci for Givenchy Haute Couture Fall/Winter 2010. McQueen similarity or no?

Riccardo Tisci seems to be adjusting well to the House of Givenchy, after recently releasing his Haute Couture Winter 2010 collection, a collection that I feel has the expert craftsmanship and luxury that one would associate with one of the great fashion house, yet possesses a modern edge and forward focused style direction needed to breathe further life into the house.

When I first saw the pieces I was immediately drawn to them due to their silhouette, fit andconstruction. The pieces seem to possess en exceptional fit, especially around the torso and combine striking metallics, exquisitely pieced lacework, feather accents, fur, and articulated upper jacket and dress panels that reminded me of historical photos of renaissance Italian articulated armour.

The feel of the collection I thought hit me as definitely being his own view of fashion, where he wanted it to go and what he wanted to present, yet also drew strong parallels between it and the Alexander McQueen collection of that same season, as was evident in the brocade, beadwork a heavily embroidered and embellished fabrics, Valentino through the fluid use of light and airy fabrics and attatchment techniques on the skirts as well as the use of the feather accents, and also possessed a feel of Tom Ford’s collections for YSL during this tenure at the house.

A look at the similarity of the two collections of the separate designers for the same season.